We offer workshops for companies and schools, of various lengths and for a varied experience levels. If you do not see an option that suits you then please get in touch and we will happily look at how we accommodate you best.
Puppetry workshop with Flabbergast Theatre. Supported by Arts Council England Flabbergast is holding a 1 day workshop on Thursday 23rd February. Looking at puppetry technique and improvisation with Bunraku (three person) puppets.
The workshop will give you an insight into how we work and a good foundation into puppetry technique. You'll even get to operate the infamous 'Boris & Sergey'. Tickets are only £40 and are open to all. Come spend the day with us and pick up a new skill or hone your exisiting technique. Hosted at Mirth, Marvel and Maud a beautifully refurbished art deco cinema in the heart of Walthamstow, easily accessible by public transport. No parking avaiable but parking zones are free about 10mins away.
Our basic workshop covers the basics of puppetry. Looking at the core elements that are used to manipulate any object or puppet. Flabbergast have a particular interest in Bunraku puppetry, an art that finds it's origins in Japan. A Bunraku puppet uses three people to operate it. It is becoming an increasingly popular technique and one that many performers are likely to come across in a puppetry job/audition.
All participants in this workshop will leave with a strong understanding of puppetry and it's relationship to the puppeteer. The day starts with puppetry exercises and group work then moves into object manipulation. After lunch we progress to operating puppets and looking at short improvisations.
Our second option is aimed at larger groups or for those wishing to progress from the rudimentary principals to a more comprehensive understanding of puppetry Flabbergast take this workshop to the next level and begin to look at what it takes to put on a puppetry show. We explore how companies devise puppetry shows and how that may differ from other theatrical productions.
After our first day of fundimentals we then begin to assign roles that most suit our participants, we examine the role of improvisation and develop the fundamentals of puppetry - breath, focus and fixed point further progressing to how to change the 'physics' of the puppets' world.
We bring in a number of professional puppeteers so that everyone benefits from a one to one experience whilst operating. Small exerpts of current productions will be performed, giving partcipants a chance to observe a practised team working in unison, they are then invited to have a go themselves both within an existing team and by forming one of their own amongst peers.
The group will leave the course with an advanced understanding of puppetry having enjoyed a more extensive and personal training on all the different aspects of the bunraku/tabletop puppet. Each member of the group will have addressed the common problems that are presented by this style of puppetry - Moving around a stage and each other with the puppet, working with music, 'performing' as a puppeteer, combining puppetry and object manipulation and working together in improvisation.
Over the course of the session the group will look at all the skills that are involved in the previous options and use this knowledge to create and perform their own show. The performance can be a showing to peers/colleagues in an informal environment or on a more professional level if you have a suitable space.
The show will be devised by the group whilst guidance is supplied by Flabbergast theatre, we will be with them every step of the way, giving direction and advise about the puppetry and format of the show. This is a great chance to gain a full understanding of what it is like to be a puppeteer and part of a company that work in puppetry/physical theatre.
The use of lights, music and other technical aspects will be considered and how these can enhance the audiences experience. A variety of puppets can be used as well as objects.
After the week long course everyone will be confident in their use of puppets through improvisation, choreography and have a good understanding on what makes a good puppetry piece.
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